H 63 – Nocturne for piano in B-flat major – op.H 55 – Nocturne for piano "The Troubadour" in C major.H 13K – Nocturne for piano "Noontide" in E major.H 54 – Nocturne for piano "Grande Pastorale" in E major – (two different versions).13 "Song without Words" in D minor – 1834 It starts with the main theme which repeats once with only minor variations. Its main theme has a slow 4 4 with a heavy, steady crotchet beat. Structure edit The piece is in ternary form (ABA). This list is arranged according to Hopkinson numbers, introduced in the 1961 catalogue by Cecil Hopkinson. Composed in 18421844, the F minor nocturne has an average duration of about 5 minutes. There is no congruent historic numbering for the nocturnes. He has been widely credited as the inventor of the genre. Irish composer John Field was the first composer to use the term 'Nocturne' in the Romantic sense, to apply to a character piece featuring a cantabile melody over an arpeggiated accompaniment. I have dubbed todays Noontime concert a 'Moonlight Recital' with a variety of pieces celebrating the nighttime. JSTOR ( February 2018) ( Learn how and when to remove this template message).Unsourced material may be challenged and removed. Please help improve this article by adding citations to reliable sources. This piece typically lasts seven minutes.This article needs additional citations for verification. The masterful brief coda contains dark reminiscences of both themes. Tension gradually builds and is only slowly released, the main theme then returning for a lovely reprise. The lengthy middle section starts almost as if it were a new piece: after a pause, an ominous swirling figure in the bass is heard, over which a stately if agitated theme in the upper-middle register is played. The main theme is gentle and reflective, not sad, but filled with a sweet gloom, the music seeming always in descent here. But Fauré also augurs early Rachmaninov here, too, especially in the harmonies emanating from the bass range. Actually, while the influence of Chopin is structurally noticeable, it can be heard in the dark, Romantic sonorities, as well. 3 in 1883, it exhibits the influence of Chopin in its form: a dark, gentle main theme appears in the opening section, followed by a somewhat agitated and livelier middle section, after which the opening theme is reprised and a short coda is given to close out the work. This Nocturne probably dates to 1875, but may have been written in the following year or two.
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